Trillo - Music Upon A Ground
Feb
17
3:00 PM15:00

Trillo - Music Upon A Ground

Trillo is delighted to invite you to an afternoon of Music based upon a ground. If you've ever wondered what a 16th century 'jam' session sounded like... this concert is for you!

We will be performing from some ancient written sources as well as adding a bit of our own improvisations and flare. We will also be explaining and showcasing the Renniassance & Baroque instruments we use!

Artists:
Recorder - Alexandra Bailliet-Joly www.alexandrajoly.com
Baroque violin - Michaela Murphy
Viol da gamba - Evlambia Vafiadis
Harpsichord - Dylan Quinlan-Baskett (and every other instrument)
Percussion - Alex Meagher.
Lute & Theorbo - Casey Fitzpatrick
Soprano - Lauren Burns

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St Georges Early Music Ensemble
Feb
12
3:00 PM15:00

St Georges Early Music Ensemble

Join the early music ensemble in the intimate settings of the St George’s College Chapel as they transport you into another era with their beautiful music. Under the direction of emeritus professor Paul Wright, they will also be joined by special guests Aidan Deasy and Casey Fitzpatrick on lute.

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The Honourable Lute
Nov
16
8:30 PM20:30

The Honourable Lute

Hope to see you come along for an evening of great fun and musical delight! I will be performing some little known solo lute pieces, a song for lute and Voice and the Vivaldi Lute Concerto in D with a small chamber orchestra. Hope to see you there!

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Dido and Aeneas
May
2
to May 5

Dido and Aeneas

Directed by: Glenda Linscott
Music Director: Geoffrey Lancaster
Choreographed by: Andries Weidemann
Performed by: Classical Vocal, Music and Dance students

Henry Purcell’s famous opera Dido and Aeneas, a poignant tale of ill-fated lovers, is restored to its original musical dimensions by Australian pianist and conductor, Geoffrey Lancaster. The earliest surviving libretto for the work, dating from 1689, contains material for which the music has been lost, including an entire Prologue, a chorus at the end of Act 2, eight dances and a spoken Epilogue. Now, thanks to Lancaster's sensitive reconstruction of the missing music, audiences can savour this classic English three-act opera in its miraculous entirety
 

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